Event Organiser Essay Example for Free

Event Organiser Essay His duties as a project planning and operations manager include development, implementation and maintenance of a detailed plan and posting schedules based on input from team members. He is also responsible for ensuring that assigned projects reach the market on time and driving the completion of project related assignments in accordance with a detailed implementation plan. Event Organiser(Team Leader)  Event organisers are involved in the organisation of events. Event organisers must be able to complete a wide range of activities requiring clear communication and excellent organisational skills and must respond quickly to change, ensuring the smooth and efficient running of an event. Assistant Event Organiser An assistant event organiser does almost everything an event organisers team leader does but he is only there to help him with all the heavy tasks that have been given to him. He supports the Manager and team leader when organising all of the events held at the venue. This role includes reception duties, event organising, research and assisting customers on a daily basis.  Promotions Team Leader  His job is to lead a face to face sales team that generates financial support. He plays a direct role with the event organiser. His main job is to make people aware of the events that are to take place and get them interested to take part in it. He forms teams that will go on the street and send out flyers, pamphlets etc. Makes the media aware of the events. Promotions Helper  He does the job that involves meeting the people face to face and handing them out information such as surveys, events which are to come, asking for donations and charity funds to help their organisation which is made for the people itself. He follows the team leader and reaches his goal.  Clerical Helper(for Project Planning Operations)  This individual will provide administrative support to the manager and the promotions team leader. He does this by creating collateral materials for advertising, sales, press releases, and promotions, managing the purchasing and distribution of office supplies, apparel, and other products, providing general clerical and administrative support and performing other duties as assigned. Organisational chart for the Green team that incorporates the various roles that have been specified in the previous task.  Job Advertisement for an EVENT ORGANISER in a Green Team.  Job Title: Position for an Event Organiser/Planner  Location: Oxford House College Oxford Street  Job Type: Full Time/Part Time/Voluntary  Salary Range: 25000 30000 plus Bonus Incentives  Organization Description  Oxford House College is a Green team that specialises in helping spread awareness about the depletion of our natural resources and help people reduce their carbon emissions, helping people to reduce their wastage and show them different methods where they can be more environmentally friendly. To reach our goals we need exceptional people who are ready to help us and will be rewarded for their efforts while having fun at the same time.Selling sponsorship, stand, exhibition space to potential exhibitors/partners Arranging accommodation for exhibitors and/or delegates  Preparing delegate packs and papers  Creating, implementing and monitoring marketing and PR plans  Liaising with clients and designers to create a brand/look for the event  Co-ordinating with newspapers, tv, radio and other media  Writing press releases or briefs in order to gain maximum exposure for the event  Organising the design and production of tickets, posters, catalogues and sales brochures  Co-ordinating everything on the day of the event to ensure that all runs smoothly  Handling client queries on the day and troubleshooting exhibitor and visitor problems on the day  Overseeing the dismantling and removal of the event, and clearing the venue efficiently.

Nature vs. Nurture Essay Example for Free

Nature vs. Nurture Essay Homosexuality, Addictions and Intelligence There have always been disputes on whether the decision to be homosexual or heterosexual was based on biological or environmental factors. These disputes are known as the Nature vs. Nurture argument. The two sides argue over how gender is chosen within a person. Based on reproductive organs, sex is easily determined at birth: male or female. Gender, however; is the sexual identity an individual takes on. It is possible for sex and gender to be different. For an example of nurture children who were both born with an injured or damaged reproductive organ, males usually can be raised successfully as females. In order to understand which factor is the deciding factor of a person’s gender, both sides of the case must be fully evaluated. DNA studies which appear to prove that gender is a genetic trait. Researchers have analyzed the makeup of the human brain of homosexuals and heterosexuals seeking a connection between gender and the brains physiology. They found when studying the part of the brain directly related to a persons’ sexual drive, that homosexuals had an enlarged hypothalamus, whereas heterosexuals had a normal one indicating a direct correlation between the brain and gender selections (AllPsych). In researching DNA’s role in gender identity, some scientist have identified the gene that determines a person’s sexual preference. Although there are mounting evidence of the existence of a â€Å"gay gene, â€Å"the opposition denies the existence (AllPsych). People in support of the Nurture argument claim that is an individual conscious or subconscious decision as to his or her gender identify. While many claim that people may control their sexual orientation, their brain, and not the other way around are actually controlling them. A person DNA and brain physiology control sexual preference which may be associated in the amygdale of the limbic system (Pscyhsmart). When scientist castrated the rats, stopping the creation of androgen, the male rats became submissive. When the androgen was given to the female rats, they began to display masculine behaviors. This experiment resulted in the male rat being submissive and allowing the female rat to  mount the male, unlike the normal male rat that would mount the female when engaging in reproduction ( Lippa 102). Similar to humans, if male do not have proper balance of hormones with his body, he may show feminine traits. These hormones are a biological aspect of gender that affects the decision to be homosexual or heterosexual. On the other hand, for the purpose of this discussion, addiction can take many forms, including not only substance use disorders, but also pathologic gambling, bulimia, and a host of other disorders. Dependency, abuse, and addiction are used relatively interchangeably; however, there is ongoing debate within the field regarding the best terminology. Furthermore, differences in how these phenotypes are surrounded can have an impact on the results of gene discovery efforts. Genetic loci that have been consistently associated with various forms of substance addiction, as well as those that demonstrate relevance to pharmacologic treatment. While the nature vs. nurture debate has raged, is the contribution of interactions between genetics and environment. In reality, gene expression is environment dependent and it impossible to obtain pure estimates of genetic vs. environmental contribution one could not exist without the other. The environment a child experiences is partly a consequence of the child’s genes as well as external factors. To some extent a person seeks out and creates his or her environment. If she is of a mechanical bent she practices mechanical skills; if a bookworm, she seeks out books. Thus genes may create an appetite rather than an aptitude. Remember that the high heritability of short-sightedness is accounted for not just by the heritability of a gene for short sightedness but by the heritability of literate habits. Conversely, on the discussion of intelligence, there are three facts about the transmission of intelligence that virtually everyone seems to accept: 1. Both heredity and environment contribute to intelligence. 2. Heredity and environment interact in various ways. 3. Extremely poor as well as highly enriched environments can interfere with the realization of a persons intelligence, regardless of the persons heredity (Sternberg Grigorenko, 1997, p.xi). Intelligence that appears to relate to ability to reason abstractly, to learn and to adapt. In closing, homosexuality, addictions and intelligence have reliable  statistical relationships with important social phenomena, but they are a limited tool for deciding what to make of any given individual. As stated by Ridley, Mother Nature has plainly not entrusted our genetic capacities to the blind fate of a gene or genes; she gave us parents, learning, language, culture and education to program ourselves with. WORKS CITED: Johnson, Ryan D. AllPsych (2005). â€Å"Homosexuality: Nature or Nurture†. Ridley, M. (1999). Genome: The autobiography of a species in 23 chapters. London: Fourth Estate Ltd. Sternberg, R. J., Grigorenko, E. (Eds.) (1997). Intelligence, heredity, and environment. Cambridge, UK: Cambridge University Press.

Brief History Of Japanese Cinema Film

Brief History Of Japanese Cinema Film For the basis of my essay I shall try and delve into how Japanese cinema reflects and challenges the culture of the country, I will also look into several films and analyse them to show what connection they have with the cultural aspect of japan as a nation and also provide a brief history of Japanese cinema. The issues I will look at will involve the Hiroshima bombings and the effects of nuclear warfare as mentioned above and the relevance to Godzilla, as well as the cultural aspects of seven Samurai and how it reflects Japanese mentality in terms of lifestyle and also looking at the huge emphasis that martial arts plays in there cinema which sometimes may form a stereo type for Japanese people. Film makers I will look at will include Akira kurosawa and the creator of Dragon ball Z Akira Toriyama and Maseki Kobayahi. In terms of observations I will focus on mainly the culture which includes clothing/ mentality of the Japanese people and lifestyle. I will also look at the original Ja panese film, The Ringu which inspired the 2002 film The Ring and talk about how it acted as almost a renaissance for Japanese horror films, ultimately finishing with a conclusion on my thoughts about my findings and give my opinion on how culture is reflected. Japanese cinema dates back over a hundred years and is the fourth largest in terms of yearly films produced in the world. The arrival of the Lumià ¨re brothers cinematograph in 1897 marked the true beginning of cinema in Japan. The first moving-picture camera imported into the country was a Gaumont camera that was used on a few instances to film fashionable geishas in the traditional restaurants of Shimbashi, which received the approval of the Japanese audiences. The film made from these shots of the geishas is considered to be the first film made for entertainment in Japan. In 1899, a photographic engineer named Tsunekichi Shibata made what is thought to be the first Japanese cinematographic production, a film of purely theatrical content that showed a kabuki play named Maple Viewing or Momijigari. In 1908, ShÃ…Â zÃ…Â  Makino, considered the pioneer director of Japanese cinema, started his influential career with HonnÃ…Â ji gassen, produced for Yokota ShÃ…Â kai. ShÃ…Â zÃ…Â  then cast Matsunosuke Onoe, a former kabuki actor, to star in his work. Onoe became Japans first real film star, appearing in over a thousand films, most of them were shorts, between 1909 and 1926. The pair pioneered the jidaigeki genre. Tokihiko Okada was a popular romantic lead of the same era. Likewise the he first female Japanese performer to appear in a film professionally was the dancer/actress Tokuko Nagai Takagi, who appeared in four shorts for the American-based Thanhouser Company between 1911 and 1914. In the 1950s which is considered the Golden Age of Japanese cinema. Three Japanese films from this decade (Rashomon, Seven Samurai and Tokyo Story) made the list of Sight Sounds 2002 Critics and Directors Poll for the best films of all time. This led to a rise in diversity in movie distribution thanks to the increased amount of films produced and popularity of the film studios of Toho, Daiei, Shochiku, Nikkatsu, and Toei.It started with Akira Kurosawas Rashomon (1950), which won the Academy Award for Best Foreign Language Film and the Golden Lion at the Venice Film Festival Which firmly put Japanese cinema on the map globally. It was also the breakout role for legendary Japanese star Toshiro Mifune The first Japanese film in color was Carmen Comes Home directed by Ke isuke Kinoshita and released in 1951. There was also a black-and-white version of this film available. Gate of Hell, a 1953 film by Teinosuke Kinugasa, was the first movie that filmed using the Eastman color film, Gate of Hell was both Daieis first color film and the first Japanese color movie to be released outside of Japan internationally, receiving an Oscar in 1954 for Best Costume Design by Sanzo Wada and an Honorary Award for Best Foreign Language Film. It also won the Palme dOr at the Cannes Film Festival, the first Japanese film to achieve that honour. Also that year of 1954 saw arguably the two of Japans most influential films released. The first was the Kurosawa Seven Samurai, about a group of hired samurai who protect a helpless village from a dangerous gang of thieves. The same year, IshirÃ…Â  Honda released the anti-nuclear horror film Gojira, which was translated in the English as Godzilla. Though it was severely edited for its Western release, Godzilla became an international icon of Japan and spawned an entire new genre in Japanses film known as Kaiju films which were basically monster movies. The 1980s saw the decline of many of the massive Japanese film studios and their associated cinemas, with major studios Toho responsible for Godzilla and Toei barely managing to be stable in business, Shochiku supported almost solely by the Otoko wa tsurai films, and Nikkatsu declining even further. Because of economic recessions, the number of movie theatres in Japan had been steadily declining ever since the 1960s. The 1990s saw the reversal of this trend and the introduction of the Multiplex in Japan. In the 2000s the number of movies being shown in Japan steadily started to increase, with about 821 films released in 2006. Movies based on Japanese television series were especially popular during this period. Anime films now accounted for 60 percent of Japanese film production. The 1990s and 2000s are considered to be Japanese Cinemas Second Golden Age, due to the immense popularity of anime, both within Japan and overseas. In anime, Hayao Miyazaki directed Spirited Away in 2001, b reaking Japanese box office records and winning several awards, followed by Howls Moving Castle and Ponyo in 2004 and 2008. Japanese films have been given several genres within them with Jidaigeki being historic pieces of work that are set during the Edo period (1603-1868) or earlier. Jidaigeki, which is covers films like seven samurai and the term meaning the sound of swords clashing, Horror films such as Ring Kaiju films which mentioned above are monster films which were stemmed mainly from the birth of Godzilla. Pink films which are soft core pornographic films. Yakuz, movies about the Yakuza mobsters, Gendaigeki which is the opposite of Jidaigeki are films set in the present day with contemporary themes. Shomingeki are realistic films about common working people and lifestyles. Anime which is Japanese animation and has become a massive boon in the Japanese film industry accounting for almost as much as 60% of productions and then Mecha Science fiction and Cyberpunk. Godzilla (1954) Moving on to the core of my essay the film I picked out and arguably being one of Japanese cinemas most important globally successful and iconic films, Godzilla.Initially appearing in IshirÃ…Â  Hondas 1954 monster film Godzilla, ever since then, Godzilla has then gone on to become a international pop culture icon appearing in 28 films produced by Toho Co Ltd. The monster has appeared in other numerous other mediums including video games, novels, comic books, and an American animated television series. A 1998 American remake was produced titled Godzilla but received mixed reviews and showed a different version to that of its Japanese roots and a second American version is currently in development at legendary pictures a warner bros that will be directed by Gareth Edwards after they acquired the rights from Toho with it promising to return to his original Japanese roots, with the producers behind it describing Godzilla as being a force of nature. Originally Godzilla was created after the atomic bombings of Hiroshima and Nagasaki and the Daigo FukuryÃ…Â « Maru incident still fresh in the minds of the Japanese people, He was portrayed as a monster created by nuclear mutation by the detonations of nuclear warfare and is supposed to be a metaphor for nuclear weapons in general. As the film series expanded and got bigger and bigger, the latter stories took on less serious undertones and began being more mainstream by portraying Godzilla as a hero while other plots still had him as a destructive creature. Baring in mind Godzillas nuclear origin, his abilities were stemmed as visual representations of the bombing by having atomic breath and a nuclear aura. By somewhat embodying the kaiju genre he has been viewed as a visual film graphic representation for the United States by giving the Japanese audience a very negative perception of America in general as well as an allegory of nuclear weapons in general. The earlier Godzilla fi lms, especially the original, showed Godzilla as a terrifying monster born of nuclear origin. Godzilla represented the fear that Japan as a nation had about the horrible nuclear attacks on Hiroshima and Nagasaki, and always counting the possibility of any recurrence. As the series progressed it also changed Godzilla into a less destructive and more heroic character as the films started to become aimed towards younger audiences. Godzilla remains one of the most recognisable fictional heroes in the history of film, and is also the second of only three fictional characters to have won the MTV Lifetime Achievement Award, which was awarded in 1996. It is clear the cultural reflection Godzilla has with Japan as a nation due to the bombing also portraying America in a negative vein. The idea of the atomic bomb was reflected in the second Godzilla movie. Gigantis, the Fire Monster. In the movie Godzilla fights for Japan against Angilas, who was also mutated by an atomic explosion. In Godzil la vs King Ghidorah, Ghidora starts out as a bat, but turns into a monster after exposure to an atom bomb test. Here it is not the idea of lizards and bats fighting but looking deeper it raises the issue of atomic bomb testing in a farcical manner. However, Godzillas status as a symbol for Japans collective fears carried on the next 40 years, Godzilla was used to symbolize other concerns as well being not only used to symbolise the atomic bomb but also the cold war. Godzilla also had a way of destroying symbols of the Japanese political establishment, including the national parliament. This can be seen in the 1992 release of Godzilla vs. Mothra. Here, the larva of the giant moth, Mothra, spins a cocoon around the countrys parliament building. Mothra was a comical insect created to do what Japan could never achieve single-handedly: stop a one party government that frustrated the nation. The aspect of women restoring the natural balance is seen again in Godzilla vs. The Thing released in the U.S. as Godzilla vs. Mothra. After a violent storm, an enormous egg is found floating in the ocean. It actually contains Mothras offspring. An entrepreneur decides to buy it and make it a tourist attraction by building a glass case around it. Metaphorically this man is Westernized in his hope to control and contain nature rather than live in harmony with it. So, a women reporter, two tiny women who are in a symbiotic and telepathic relationship with Mothra, and Mothra, herself, attempt to rescue the egg. This represents their attempt to restore the natural balance. Unfortunately, Godzilla also threatens the wellbeing of the egg and Mothra dies attempting to defend it. Eventually, though, two larvae hatch from the egg and envelope Godzilla in a chrysalis. He falls back into the water from which he came. Again, it is the women whether of the human or moth species who struggle and sacrifice themselves to resolve the films crises in favor of balance and harmony. The constant dep iction of an antagonist being a symbolic reference to the western shows that the nation of japan is united to a common threat outside their own walls showing external struggles so basically suggesting that they as a nation they stand together and dont show the internal struggles again referring back to the bombing. Foreign nations often wonder what the appeal of a giant latex dinosaur could possibly be, but I think the answer is simple, Godzilla is, after all, the overall opposite to the typical Japanese stereotype. Aggressive and monstrous in a country where people tend to be graceful and polite and honourable. He is spontaneous in a place that values the impassive, studied response. He is confrontational where conciliation is considered proper behaviour. He is, in essence, a nuclear bomb in a country that is emphatically opposed to nuclear weapons in effect challenging the countries culture. From looking at the hospital scenes after Godzilla destroys Tokyo, you get an accurate vie w to what it may have been for the unfortunate survivors of the Hiroshima blast. This was the first and only occasion in a kaiju film, the distress and suffering of innocent citizens is shown, with piles of dead bodies in hospitals that were seen. As Gojira is a hauntingly representation to the bombing of Hiroshima, Gojira no Gyakushu made in 1955 was a representation and reminder to the bombing of Nagasaki. Seven Samurai Seven Samurai was a 1954 Japanese adventure/drama film directed by Akira Kurosawa, the film is set in 1587 during the warring states period of Japan. The story revolves around a village of farmers that recruits seven master less samurai to fight against bandits who aim to steal the crops after the farms harvest. The film is looked back upon by many critics as one of the greatest and influential films of all time ever made and one of the films aswell as Godzilla which is widely known in the west and was subjected to critical acclaim voted in the list of greatest films of all time. Seven samurai has also inspired the 1960 film Magnificent seven in the west where the Samurai are replaced with gunslingers. The film also reflected Japanese agriculture with the emphasis being on a farm and crops acting almost like a metaphoric currency. It reflected the warrior culture of the nation incredibly well but in somewhat almost creates a stereotype of Japanese people. Akira Kurosawa Kurosawa was a Japanese film director/producer/screen writer and is considered by many as one of the most influential people in not only Japanese cinema but worldwide. He made his debut in Japanese film in 1936 and made his directorial debut in 1943 with Shansiro sugata. Kurosawa also left his mark on American cinema by influencing George Lucass epic science fiction Star wars from Akiras own Hidden fortress. If American film in full of action, European film has character, leaving the Japanese film rich in mood and atmosphere as Kurosawas work showed. It presented characters in nature, it raised issues like the universal topic in relation to basic humanity. However, how the story is told and the way it is viewed brand its identity to the worldwide stage. Traditional theatre Kabuki. It is a form of traditional Maseki Kobayahi The film Harakiri directed by Masaki Kobayahi in (1962) was a film made about throwing thousands of Samurai out of work and into poverty. This film took the form of militaristic power and they pose the same moral conflict in terms of the struggle of the individual against society. Japanese director Masaki Kobayashi came of age in the postwar moment, a time when filmmakers were at the frontline of dissident expression in japan. Drawing upon a rich history of protest in Japanese cinema, which had fallen dormant during the war and occupation years, filmmakers took the opportunity to challenge those institutions that remained wedded to the nations feudal past. Out of all the director in Japan Masaki Kobayashi was know to be the most passionate directors of them all and his films were marked by a insolence of tradition and authority, whether feudal or contemporary. Kobayashi found the present time to be no more different to the violation of personal freedoms than they did in the pre-meiji past, under official feudalism, had been. Kobayashi often showed his political disagreement when filming jidai-geki films, In which the historical past becomes a substitute for modern japan. When filming jidai-geki films Kobayashi exposed the historical roots of contemporary injustice. Most Japanese audiences were well schooled in history so this allowed them to connect the critique of the past with abuses in the present. The film Harakiri that was made in 1962 highlighted this. Japanese theatre, known for the stylization of its drama and for the elaborate makeup worn by some of its performers, like the Gieshas. This was all present in Kurosawas work especially Seven Samurai. Japanese society in film Japanese society and its culture is also a core of what cinema in the country portray or want to portray, Tokyo story is a brilliant example. It tells the story of an aging couple who travel to Tokyo to visit their grown children. The film contrasts the behaviour of their children, who are too busy to pay them much attention, and their widowed daughter-in-law, who manages to host them properly. It is often regarded as Ozus masterpiece. It tells a realistic grounded. It reflected on the culture by showing day to day Japanese family life. Memoirs from a Giesha gives us an inside into the perspective female lifestyle of a Geisha, They are a Japanese entertainer often wearing the historic kimono dress which is almost like a visual representation of a common mans image of a common Japanese woman. It reflected culture of the feminine side and how it showed women were considered not to have any skills and that it was just there looks which could be used for entertainment. Gieshas are also sometimes referred to as prostitutes due to them having the entertainer tag for the fact of not having it label them vulgar and obscene and censorship issues in Japanese cinema. Anime has also been a huge part of recent Japanese cinema, often portraying culture and history. Conclusion Concluding my essay I feel that I have given examples of instances where the culture is reflected and where the culture is challenged, Godzilla provided a visual symbolic representation of the mind set of japan during the bombing, along with addressing issues with Japanese parliament as seen in a later instalment of Godzilla and also the countries mentality as united against a common threat in this case being the western. Referring to how I think it challenges the culture in a negative sense is Another issue is the constant depiction of martial arts often in Anime and in live action Japanese cinema, which is commonly exported to western territories due to their action-packed content, and so gives an unrealistic view of Japanese culture and creates a racial stereotype. . From looking at the film Memoirs of a Geisha and where she is sold shows an example of people trafficking which can create a negative perception of Japanese culture, this in my opinion challenges the culture. From thi s research and evidence I have found out that the cinema of japan does indeed http://www.gojapango.com/culture/culture.html 10 Essential Japanese  Films http://filmstudiesforfree.blogspot.co.uk/2010/07/on-japanese- cinema.html

Physics of Meteors :: physics space meteor falling star

A falling star is really a Meteor and is a form of space debris. They are not really stars at all. There are cases where meteors have entered the Earth’s atmosphere. In most cases, Meteors burn up upon entry into the atmosphere and never make it to the surface of the planet. There are times when the meteor starts to burn up, but because the mass is big enough, it makes it to the surface, smaller then when it started out. Through both means, the meteor deals with some measure of resistance upon entering the atmosphere. The main resistance that the meteor encounters is air resistance (or drag). Due to this collision with the atmosphere, the meteor’s surface begins to melt and vaporize causing the meteor to start breaking apart at its outer layers. When a meteor enters Earth’s atmosphere, they enter at a minimum velocity. This minimum velocity is about 11km per second (25,000 miles per hour). That is quicker then a bullet being fired from a gun. That is only the minimum; there are meteors that can get going much faster. Another comparison to this is that a space shuttle moves around the Earth roughly at about 8km per second. Most meteors burn up when they enter Earth’s atmosphere. There are a few meteors however, that make it to the surface. The ones that make it to the ground are called meteorites. Not all meteors are the same material wise. Some meteors are made out of rock, while others are made out of iron. Some even have a mixture of both, but in most cases, it is one or the other. A fun fact that came up is that as much a 4 billion meteors fall to the Earth each day. Most of them are not significant enough for anyone to notice. Another one is that the Earth gains about a million kilograms of mass a day from meteors. If you let N equal the number of stone meteorites, which fall on one km2 of the surface of the Earth during a one-year period and N, includes all meteorites with a mass greater then or equal to m kg. The rate of the number of meteorites that touches down is:

Grapes Of Wrath Essay -- essays research papers fc

John Steinbeck uses symbolism to enrich his writing. Several of these symbols can be found in his book, The Grapes of Wrath. The Joad’s, a family from Oklahoma, are in search of a better life. They leave their home in journey to California because of the dust bowl. The symbols in the book are the dust, the turtle, names of people, and the grapes. These symbols give the reader an additional perspective of the book. Dust represents life and death. Dust makes a mess of things and leaves possessions under a mucky film. The farming in Oklahoma becomes difficult because the heavy winds uplift the soil and carry it great distances. Then the farmers are left with no soil to grow their crops. The Joad’s livelihood depends on the soil. If the soil is rich, then it will feed hundreds. But if the soil is dry, it destroys crops and causes famine. The dust covers Oklahoma and leaves the Joad family with no other choice, but to move. The Joad’s journey to California is as slow as a turtle. Heat in the desert, car problems, and the death of the grandparents make the journey long and painful. A turtle shelters himself by pulling his head, legs, and tail inside his shell. The Joad’s gather together as a family to comfort and shelter themselves. A turtle feels safe when it enters his shell and the Joad’s feel safe when they gather as a family. There is symbolic significance in the names of characters throughout The Grapes of Wrath. Tom, one of the main characters, is hitchhiking home when he stumbles upon a preacher by the name of Jim Casey. Jim baptized Tom, but now he is no longer preaching because he has found that everything is holy and man needs no preacher. His initials are J.C. which are the same as Jesus Christ. Jim shows similar characteristics to Jesus Christ. He sacrifices himself for Tom. Tom has caused a deputy to loose his suspect and is said to be under arrest, but Casey steps in and takes the blame. â€Å"It was me, alright† (p.364). Casey is taken by two deputies, but appears to be proud because he knows he has done the right thing. â€Å"Between his guards Casey sat proudly, his head up and the stringy muscles of his neck prominent† (p.364). He gives up his freedom so the Joad’s can accomplish their dreams as a family. Tom then meets Muley Graves, an old neighbor. Muley shows animal like characteristics and acts like a mule. Just like a mule, Muley is stubborn. ... ...ouldn’t share. â€Å"So Ruthie got mad an’ chased ‘em, an’ she fit one, an’ then she fit another, an’ then one big girl got up an’ licked her† (p.563). Although she appears to be strong in reality she is weak . Grapes are the fruit of the vine; something sweet. But in actuality for the Joad’s they are a disappointment. The Joad’s talk about them as being this wonderful fruit that will bring them a better life. They will pick the grapes and earn money. But as they stare at the open fields they realize that it is all just a dream. There are no grapes. They continuously think of the grapes as an escape from their depression. The grapes would be so fruitful that they would be able to bathe in the sweetness, but in their case it turns out completely different. Discussing the symbols of the dust, the turtle, the names, and the grapes makes the reader aware of another aspect of the story. The reader is able to realize just how well Steinbeck is able to bring his stories to life. As a reader you learn to appreciate his style of writing. Once you read his books you realize that he is not only a author, but an artist too. Bibliography the symbols in the Grapes of Wrath Word Count: 1716

Regional Band Competition :: Example Personal Narratives

Regional Band Competition The situation was insane. Not only did I have to make time in the busy schedule of my junior year to take a few days off from school to attend the District One East High School Band Festival, but I actually had to audition to get a decent seat. Don't get me wrong; I was thrilled about attending. I just wasn't looking forward to having to make up two day's worth of schoolwork. For once, I would be attending a festival where the seating arrangement wasn't based on how fast you could sprint to the stage from your seat in the auditorium, but on how talented of a musician you were. And the music for the audition? Amazingly difficult. I knew many of the other students from other competitions and festivals, so I was familiar with their talent and ability. Based on that knowledge, I decided that I had no chance of placing higher in the rankings than, say, a jar of mayonnaise. After diligently practicing - or cramming - the night before the audition, I felt I was as prepared as I'd ever be. Out of all the pieces we were given for the audition, my friends and I had narrowed it down to a few choices that the judges would most likely pick for the try-outs. From the three or four that we picked, we determined that the hardest song was Gustav Holst's "Second Suite in F." Fortunately, this song was one that I was familiar with already from concert band. I felt somewhat confident about the audition, but managed to convince myself that I'd be ecstatic if I placed any higher than last chair. I didn't even dream of placing high enough to be selected for Regional Band. The students with the highest scores at the District festivals were chosen to advance to the Regional competition. The first night of the District Band Festival, held at Yough Senior High School, took place on the evening of January 19, 2000. Cramming seven Hempfield students and one tuba into a mini-yellow bus, which we dubbed "The Sped Sled," we trekked through the blustery winter weather to the school. Surprisingly enough, we were early, giving us all a little more time to relax, warm-up, or practice music.

Streptpcoccus Faecalis

Gram Positive Enterics: Streptococcus faecalis Streptococcus faecalis also known as strep D, is now known as Enterococcus faecalis. Enterococcus faecalis is part of the Enterococcaceae family. This organism is a gram positive and usually occurs in pairs called diplococci. It is facultative anaerobic, and is nonmotile. This organism is a lactose fermenter and can be grown in 6. 5% NaCL. Enterococcus faecalis is considered non-hemolytic, meaning it does not break down blood cells. Enterococcus faecalis is part of normal flora in the intestines of humans, but can be found in water, soil and plants.If Enterococcus faecalis is found in others places of the body, other than the intestines, it becomes opportunistic and can cause major problems for an individual. This is commonly known as a nosocomial infection, because it becomes a concern for immunosuppressed individuals. Also Enterococcus faecalis infections can develop when a nurse neglects to clean an intravenous catheter or rectal ther mometer, and if the nurse neglected to clean those most likely its being spread to other patients.Enterococcus faecalis can cause endocarditis, bacteremia, urinary tract infections, meningitis and other hospital related infections. Unfortunately, Enterococcus faecalis is resistant to most commonly used antibiotics like cephalosporins and aminoglycosides, and a new study suggests that its becoming more resistant to vancomysin. Treatment for an infection by Enterococcus faecalis would be amoxicillin if the organism is susteptible. Treatment for Enterococcus faecalis that is resistant would consist of taking linezolid and daptomycin.The results from the gram positive enterics included: Taxo P (optichin) Resistant to Optichin Bile Esculin Positive for Group D Strep 6. 5% NaCL Positive for Growth Works Cited Bergey, D. H. , J. G. Holt, et al, et al. Berge'ys Manual of Determinative Bacteriology. 9. Philadelphia, PA: Lippincott Williams ; Wilkins, 1994. 528-549. Print. Bergey, D. H. , and D. R. Boone. Berge'ys Manual of Systematic Bacteriology. 2nd ed. 3. New York: Springer Verlag, 2010. 594-601, 608. Print.